Tag Archives: OTT

UX/UI Design

Designing for Connected TV: all you need to know to capture attention on the big screen

The way people consume content today is no longer confined to a single screen. The rapid adoption of Connected TV (CTV), the surge in mobile and tablet usage, and the explosion of streaming platforms have redefined viewing behavior.

The Leichtman Research Group highlights this shift in behavior. It reveals that two-thirds of U.S. TV households use more than one type of connected TV device, with an average of nearly four devices per home.

This evolving CTV ecosystem presents both an opportunity and a challenge for design teams. This blog explores the key design principles and real-world practices that can help product design teams create consistent and intuitive CTV experiences across devices.

Understanding the Connected TV ecosystem

Connected TV (CTV) refers to devices that let users stream video content directly to a television screen using an internet connection. This includes Smart TVs with built-in apps, streaming media players like Roku, Amazon Fire TV, and Apple TV, as well as gaming consoles such as Xbox and PlayStation.

CTV ecosystem

While CTV is a part of the larger OTT (Over-The-Top) ecosystem, it’s important to note the distinction. OTT covers all internet-based streaming, including mobile phones, tablets, laptops, and CTVs. But CTV is focused entirely on the TV screen experience, which often becomes the centerpiece of home entertainment. 

CTV design best practices

Designing for Connected TV isn’t just about scaling up mobile or web interfaces. It demands its own design thinking. 

The following best practices tackle the challenges faced while designing for CTV. Drawn from our work on platforms like Discovery+, these guidelines form a practical roadmap for building seamless, intuitive CTV applications that delight viewers across devices.

Visibility and clarity

1. Design for the 10-foot CTV experience

Designing for TV screens is about rethinking how people interact with content from a distance. Most users view Connected TVs from 6 to 10 feet away, in a relaxed, lean-back position. This unique setting changes everything about how your UI needs to behave. 

The 10-foot experience requires larger, bolder interface elements and a layout that communicates clearly from afar. 

What we encountered

When designing the Discovery+ CTV platform, we noticed that poster titles and CTAs weren’t consistently visible on all TV models. This happened because some TVs, especially older or lower-end ones, still apply overscan, where the edges of the screen content are cropped to fit the display. As a result, critical UI elements near the bottom and sides of the screen would sometimes get cut off, making them hard to read or interact with.

How we solved it

We defined safe margins (5% padding) across all edges to prevent cutoff and ensured that critical elements like show titles and episode actions appeared in center-aligned zones, where the viewer’s attention naturally falls. We also refined gradients so they never interfere with text visibility.

10ft UI Connected TV experience design

Image: Adapting layout, typography, and element placement for users in a lean-back mode

2. Design for overscan and safe areas

Not all TVs display content edge to edge. Some older or lower-end models still apply overscan, cutting off the outer margins of the screen. That means anything placed too close to the edge risks being partially or completely invisible to users.

Users may miss navigation cues, buttons, or labels that fall outside the “safe” visual zone. This can disrupt content discovery and lead to frustrating experiences where key actions (like ‘Play’ or ‘Watchlist’) are hidden from view.

What we encountered

In our early Discovery+ TV prototypes, poster titles and action buttons near the bottom and corners were inconsistently visible across screen models. Text overlapped with the gradient on some TVs or was pushed out of view entirely. This created confusion during usability testing, especially when users tried to interact with shows directly from thumbnail rails.  

How we solved it

We implemented platform-specific safe area guidelines, maintaining at least a 5% margin on all sides. On a 1920×1080 screen, that’s roughly 48 pixels horizontally and 27 pixels vertically. We also reworked the gradient overlays used behind posters so they didn’t obscure titles, and relocated actions like ‘Play’ or ‘Add to Watchlist’ into the safe zones, either center-aligned or inset with adequate spacing.

Visbility and overscan safety for CTV

Image: Designing within the platform-specific margins to prevent critical UI elements

Ease of interaction

1. Optimize navigation for D-Pad using remote control

Unlike mobile apps that rely on touch or desktop apps that use a cursor, CTV apps are controlled primarily through four-directional (D-pad) navigation. That means every interaction needs to be linear, predictable, and instantly responsive to remote input.

D-pad navigation design for CTV

D-pad navigation reduces the number of actions users can take at a time. This makes clarity of focus and smooth directional movement essential. If users can’t immediately see where the focus will move next, or worse, get stuck, it creates friction that leads to drop-offs. 

What we encountered 

While designing for Discovery+, we noticed that users had trouble switching between episodes and rows. Some users struggled to reverse actions or weren’t aware they could move between thumbnail rails. Simple tasks like finding the next episode became unnecessarily complex without visible feedback or directional cues.  

How we solved it 

We created a D-pad simulation prototype and tested it across multiple TV models and remotes. This helped us fine-tune how the focus ring behaved, especially during transitions across rows and within episode carousels. We introduced subtle motion effects and highlight cues to clearly show the user where they were and where they could go next.

Optimize with Axis for Connected TV

Image: This layout ensures users can move smoothly between content blocks with clear directional focus

2. Design for voice interactions

Typing on a TV with a remote control is slow and often frustrating. As more users turn to voice assistants for navigation, search, and content discovery, supporting natural voice interactions across your CTV experience is essential.

Remote-based input makes complex interactions like logging in, searching for a show, or filling out a form time-consuming. Voice control offers a faster, more intuitive path. If your app doesn’t support or prioritize voice input, it can cause drop-off right at the entry point.

What we encountered

During usability testing for Discovery+, we noticed users instinctively looked for the voice icon before attempting to type using the on-screen keyboard. In some cases, users delayed interaction because the voice search was not prominently positioned. Others tried to use their native smart assistant (like Alexa) even when the app hadn’t been optimized for it.  

How we solved it

We repositioned the voice search icon as the first-choice input method on the search screen. We also designed the UI to reflect a voice-first experience, allowing users to bypass typing unless absolutely necessary. For returning users, we reduced login friction by enabling authentication via mobile-to-TV handoff and highlighting it during onboarding.

Connected TV design for voice interactions

Image: The search screen design prioritizes voice input over keyboard input. The voice icon is placed first in the input flow for easier access

3. Designing for accessibility

A well-designed Connected TV experience isn’t complete unless accessible to everyone. People with low vision or blindness rely on screen readers and audio cues. Those with hearing difficulties need clear visual alternatives to any sound-based feedback.

What we encountered

During our design process, we identified accessibility challenges around quick access to previously watched shows and episodes within them. Users also had difficulty identifying selected states or navigating between episodes. People relying solely on audio or voice inputs also struggled due to insufficient feedback or context around these interactions.

How we solved it

We reworked the “Switch Episodes” and “Continue Watching” rail with stronger contrast, added a clear focus ring, and paired visual states with subtle audio ticks. Hence, users receive visual and audible confirmation. Also, we enabled shortcuts, “Play next episode,” “Add to Watchlist,” and “Skip intro.”

Switch episode CTV design best practice

Image: Accessible navigation with clear focus states for seamless episode switching

Continue watching option in CTV

Image: High-contrast highlights for easy content resumption 

Personalization for shared devices

1. Support multi-profile personalization

Unlike mobile or personal laptops, Connected TVs are shared household devices. That means your design must serve multiple users with different preferences, age groups, and viewing habits, often on a single screen.

A personalized experience increases engagement, retention, and satisfaction. Without profile-specific settings, users may encounter irrelevant content, lose their watch history, or face inappropriate recommendations, especially in homes with both adults and kids.

CTV multi profile personalization

Image: Custom profiles support personalized content and parental controls. Visual cues and icons help differentiate user types at a glance

What we encountered

In our Discovery+ design exploration, we realized that a single user profile wouldn’t serve a typical household. Users wanted their own watchlists, tailored recommendations, and age-appropriate content controls. The absence of these features often led to confusion and frustration, especially when kids used the platform unsupervised.

How we solved it

We implemented a multi-profile entry screen that appears at app launch, allowing each household member to pick or create their own profile. Each profile carried personalized preferences, viewing history, and even watchlist continuity across devices. For child profiles, we activated parental controls that filtered out adult content and enabled safer exploration.

Privacy while designing apps for TV

Image: User profiles restrict content based on user age with Parental Controls. e.g. kids-friendly profile – Disney+ Kids Mode ensures children see only family-friendly movies and shows

2. Ensure UI consistency across streaming platforms

A single household might stream content on a Roku TV in the bedroom and an Apple TV in the living room. While each platform has its own design guidelines, users expect a consistent experience across all of them.

Inconsistent navigation, layout, or visual styles across devices can lead to confusion. If users feel like they have to relearn your app every time they switch platforms, it creates friction, and they may choose a more familiar service instead.

What we encountered

During the Discovery+ rollout, we had to support a wide variety of platforms, including Roku, Fire TV, Android TV, Apple TV, and WebOS. Each had unique limitations, remote behavior, and UI rules. For example, Fire TV had stricter safe zones, Apple TV emphasized integration with Top Shelf and system features, and Roku had performance limitations on lower-end devices.

How we solved it

We designed using a component-based system built in Figma, with reusable tokens for typography, spacing, and color. These tokens were exported via JSON and synced with our developers’ codebase using the Style Dictionary plugin. This ensured the core design structure remained consistent while allowing each platform to inherit its native interactions and system behaviors.

component-based system built in Figma for CTV design handoff

Image: Discovery+ UI components adapted for Apple TV, Roku, and Android TV. Core layout and interactions stay consistent while following platform-specific design norms

While no guideline is one-size-fits-all (gaming UX, for instance, follows its own unique rules), the practices above offer dependable direction for creating seamless, intuitive experiences across CTV and companion devices.

Conclusion

The Connected TV market is set to double (from USD 267B in 2024 to USD 530B by 2030) in the next five years, making it the ideal moment for designers and product teams to stake their claim in this rapidly growing space. By understanding each platform’s nuances, designing for real-world viewing environments, and following proven best practices as demonstrated in this guide, we can craft captivating, user-friendly TV applications that delight viewers across devices and platforms.  

At Robosoft, we’ve partnered with leading media, news, and entertainment brands to build end-to-end OTT solutions with capabilities across product strategy, design, engineering, analytics, and monetization. Whether targeting a regional Smart TV market or aiming for global reach, our team can help deliver world-class multi-device experiences across platforms. Ready to connect with your audience on every screen?

contact us for CTV experience design

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Software Engineering

OTT vs. Television – tug of war or an era of collaboration?

An entire neighbourhood gathering on a Sunday morning to watch Mahabharata, lazy afternoons with Shanti or insightful evenings with Amul Surabhi; television has a special place in the hearts of Indians.

In a digital world, where we have the flexibility of consuming content anywhere anytime, and across mediums – our relationship with television has changed. With the deluge of digital content, television as a device also serves as an extension of the digital medium via technologies like Google Chromecast and Amazon Stick.

So, does this mean that OTT or digital content viewership will supersede television content viewership and our good old friend will lose its sheen?

While this might be a possibility in the distant future, television medium isn’t going to fade away soon. Yes, the time spent and the way we consume television content is bound to see a shift, television will still be one of dominant medium for the coming few years.

Here’s why:

India has a huge viewer base when it comes to television:

While the growing content on the digital medium and the exceptional amount of time spent on internet might give an impression that the audience is moving away from TV content. That isn’t the case. According to a recent report, India has a massive TV audience base of 780 million. An interesting thing to note is, that despite the growing interest in the digital content, TV viewership has seen a rise of whopping 21% among the young audiences, with 224 minutes of daily time spent.

One of the reasons for this seemingly contradictory trend is audience expectations from both the mediums are different. When it comes to the digital medium most video content is seen on the smartphones. The drawback of this is the dwindling attention span of viewers, where users are constantly switching between apps. Further, most of the digital content is watched while the users are on a commute, and hence, shorter versions of episodes or web series work. However, when it comes to TV people expect longer versions of episodes. Another important aspect is television is a part of the daily family routine of Indians, a place that is difficult for any of the digital media platform to occupy at present.

According to Partho Dasgupta, CEO, BARC

The unique Indian habit of the entire family sitting together prevails.

Hence, given the current scenario, digital video growth is led by it becoming the second or third screen as 97% of India is still single TV homes.

Largest media spends are on television

When it comes to the digital medium, the time spent in India is lower than that of US and China. Further, according to BARC, youth viewership has grown on TV.

Given the increasing popularity of the digital medium it is surely gaining advertisers’ monies, however, television is still getting the major share. Hence pumping more monies in the television medium to produce content, which isn’t the case with the digital medium. Since traditional mediums like television and print still dominate overall ad spends in India and brand building is still largely happening through mature ad mediums such as television. Given the huge viewer base that TV enjoys, from an advertiser perspective, TV viewership is more valuable than a similar viewership on digital video.

Another reason why television gains advertisers interest is the fact that chances of viewers skipping a channel is lesser than skipping pre-roll or ads. So, brands will have to think about integrating their communications with the content instead of generating generic communications for all mediums.

As Ajay Chacko, Co-Founder and CEO, Arre, rightly puts it

“Advertisers, both traditional and new-age, are welcoming of content as a route to marketing. Brands are evaluating a balance between performance and impact when planning their media spends. There is cognisance of the fact that pre-rolls/ads can be skipped or blocked or muted when pushed down user’s timelines and feeds, but content is what consumers actively seek out and hence, more effective or impactful.”

Digitization yet to permeate the rural markets

When it comes to the overall split of the OTT viewership, the majority exists in urban India. Rural India is still predominantly a television market and a huge one at that.

OTT viewership

One of the reasons for this is the poor penetration of fixed broadband. According to a recent report, while Internet penetration in urban India reached at 64.84 per cent in December 2017 compared to 60.6 per cent in December 2016, the rural Internet penetration grew only a little — from 18 per cent in 2016 to 20.26 per cent in December 2017. However, with the introduction of low-cost network providers like Reliance Jio, this scenario is expected to change. The number of users of Jio is on the rise and video is an important driver for Reliance Jio’s high mobile data traffic. On the Jio network, subscribers watched an average of 13.4 hours of video each month in 2017. While low-cost network providers like Jio will further boost the consumption of digital content it is unlikely to have an effect on the television viewership, as yet.

Best of regional content is still on Television

One of the major reasons why Television is widely consumed is the huge library and options of regional content it provides. According to a recent BARC report

The General Entertainment Channels (GEC) dominates the genre viewership pie with the highest share of eyeballs (51%), followed by Movies (25%). These are the two biggest genres on television.

Further, in the recent years, the share of GEC has declined by only a meagre 2%, which might be a function of increasing number of youth viewership.

Producing high quality original regional content is going to be an important aspect for OTT players to grow. In this case, Indian channels and media houses with their apps have an advantage because of the already available library of content. For instance, players such as Hotstar and Voot have higher access to Star India and Viacom 18 media libraries. According to a recent Deloitte report, currently, 40%  of the viewership of OTT platform comes from regional content.

So far, OTT players like Netflix and Amazon Prime have focussed on pushing global content to Indian subscribers, but they have realised how critical it is for them to offer regional and original content to viewers.

OTT players

Image source: Counterpointrsearch.com

Amazon Prime is likely to invest around $300 million in the Indian market for acquiring rights of Bollywood films and also producing original content, similarly, Netflix is producing more Hindi content like the recently launched series ‘Sacred Games’.

Regional content is going to be a major game-changer when it comes to changing the dynamics of the OTT market. However, it will not immediately impact the television market given the huge viewership, reach and the library of content available on the medium.

Paying for Television vs OTT

The Indian market is still fairly unaffected by the phenomenon of cord cutting. The major reason for this is, there is no economic reason to cut the cord as yet, since, TV delivers the highest value for money. Most OTT players work on the subscription model.

According to a research the majority of Indian audiences are still stuck to the free or ad-supported model as of now. Further, several options including web-series, stand-up comedies, etc. are already available on YouTube free of cost.

Most OTT players

Image source: Counterpointresearch.com

This implies that the OTT players will have to compete with the lower cost of Cable/Dish TV subscriptions and also provide compelling content for viewers to do so. This shift will also depend on the factors mentioned earlier in the article.

Future

In the near future, both TV and digital video will grow in parallel. Television viewership will see a steady increase, video OTT will grow as a second screen. Also, with the growth of viewership of the digital media, we will see advertisers spending more money on the medium, though, television will still get the major share of ad spend compared to the  OTT medium.

Ad-led online video platforms will also grow by manifolds in India (as wireless 4G ecosystem explodes) and subscription led online video platforms will grow as the fixed broadband infrastructure improves.

Further, with the cheap data network providers like Jio, we see a rise in the consumption of OTT content. However, it is unlikely to have a huge impact of the share that television medium enjoys.

We will also see OTT players pushing in more regional original content to suit the taste of the younger generation on the portals since the current viewer base is mostly the youth.

At present the OTT market is highly dispersed with pure OTT players (Netflix), channels and media houses (Viacom’s Voot, Hotstar), telcos (Jio TV, Airtel TV) etc. In the coming years, we will see an emergence of a more collaborative ecosystem.

India is a major market for the global OTT players and the boost in the infrastructure and digitisation is surely going to further shift the way media is consumed across mediums. It is a critical time for both TV and the OTT medium with a plethora of opportunities. Players across mediums will reap the benefits of this growth, and TV & the video OTT platforms will find a perfect platform to co-exist in India.

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Software Engineering

OTT disruption in the Indian media sector and the future ahead– A discussion with Sunil Nair, COO, ALT Balaji

The story of Indian Entertainment and Media sector is taking an interesting twist with the OTT boom. With the increased penetration of smartphones and low-cost data packs, Indians are consuming an overwhelming amount of media content through mobile.

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